The Freelance Writers’ Guild of the Philippines (FWGP) will hold its Second General Assembly from 1 p.m. to 6 p.m. at the University Hotel in UP Diliman on Sunday, Sept. 16.
The members of the organization will be given an overview of the current local freelance writing landscape by seasoned freelance writers, representatives of client companies and select FWGP members.
Guest speakers include Celine Roque, Sharon de Dios, Noemi Pamintuan-Jara, and Bert Sulat; client speakers: Ces Rodriguez of Yahoo.ph, Camsy Ocumen of freelancer.ph and Yasmin Arquiza of GMANews.TV; and panel members: Beverly Siy, Stephanie Gonzaga and Dino Manrique.
Facilitators of FWGP committees will present reports: Education, Ime Morales; Marketing & Resource Mobilization, Claire Agbayani; Web Site & Media, Rom Factolerin & Raymond Dimayuga; Membership, Teena Estrada; Finance & Ethics, Naomi Tupas. Executive Committee members Lorna Israel and Karl de Mesa will give the invocation and deliver the closing remarks, respectively.
Results of the survey on rates for freelance writers which was conducted among FWGP members will also be revealed.
The event will be hosted by Angel Carballo and Viva Andrada. Members Charlie Morales and Peter Allan Mariano will perform during intermissions.
The Second General Assembly of FWGP is supported by FILCOLS, Business World, herword.com, Agimat, Tindahan ng Itlog ni Kuya, Michelle’s Sweet Kisses, Balangay Productions and Air21.
For inquiries, contact: Teena Estrada @09153913129 or Naomi Tupas @09223185858.
The Filipino people impatiently await the singing of the Philippine National Anthem whenever Manny Paquiao has a fight in the boxing arena. It seems that it has been a tradition of the National Historical Institute to censor every artist’s faults in singing the National Anthem on a modified version. It was only recently that Charice Pempengco sang it correctly in two occasions; first at the 2010 Presidential Inauguration, and second, on the Paquiao-Mosley Fight.
Bringing this matter in light, we would try to answer the question: “How is the proper way of singing the Philippine National Anthem?”
Article XVI, Section 2 of the present Philippine Constitution specifies that “The Congress may, by law, adopt a new name for the country, a national anthem, or a national seal, which shall be truly reflective and symbolic of the ideals, history, and traditions of the people. Such law shall take effect only upon its ratification by the people in a national referendum.” At present, the 1998 Republic Act (R.A.) 8491 (the Flag and Heraldic Code of the Philippines) regulates the usage of the Philippine national anthem. It also contains the complete lyrics of “Lupang Hinirang.”
R.A. 8491 specifies that Lupang Hinirang “shall be in accordance with the musical arrangement and composition of Julian Felipe.” However, when literally followed, this means that the national anthem should only be performed by a pianist or by a brass band, as these were the only versions that were produced by Julian Felipe.
Giving them the benefit of the doubt, it is difficult for singers to keep up with the music because the original version was composed in duple time (i.e. in a time signature of 2/4) as compared to the present quadruple time 4/4, making it uncertain if this will either slow down or even double the music’s speed. However, what I can’t understand is that, why do we equate seriousness and solemnity with slowness when it comes to singing of the National Anthem? It’s a march played during the proclamation of the Philippine Independence! Isn’t it supposed to be sung with fervor as it was originally composed?
This is our National Anthem – a symbol of our Nation and a witness to our independence. Give justice to it! Singers should have control as they sing it; without so much embellishments, renditions, and modifications! Artists and Choral Groups are totally in error when they modify the tone, put second voices, etc. on the National Anthem.
We felt so liberal in modifying our National Anthem to suit our musical taste. What we do not realize is that when we continuously stray from its original version and tempo, it somewhat lose its gravity and historicity too.
We should realize that when we sing the National Anthem, we do not perform on a show. Rather, in singing it, we should bear in mind that we should let everybody sing it and feel it to become proud of our country. As the Hymn goes, “Aming ligaya na ‘pag may mang-aapi, ang mamatay ng dahil sa Iyo. (‘Tis our joy, when there be oppressors, to die because of Thee.)”